The Jawshop Presents Reel to Real

Image of Paul the jawshop Clifford playing and recording an Erhu with a Wollensak reel to reel

The Wisdom of the Chickadees

The Thrill of the Fog

Respect for our Mother Bears

A Coastal Salish Native Black Bear and Salmon Design Created by TS Ni hUiginn
Click on the Image to Visit our T Spring Shop
Click on the Image to Visit our T spring Shop

Bird and Bee Refreshment and Hygiene Station Construction

The Birdbath Symphony

The Value of Eating a Little Crow Now and Again

     "If you have to eat crow, eat it while it's young and tender."
    
Thomas Jefferson

Ancient Ones

We are very pleased to present Traditional Coastal Salish Artist Charlie Craigan’s new design titled Ancient ones. The figure in the centre is the wild woman she is encircled by ch’inkw’u, both have been spiritual protectors of the shíshálh lands, waters, and people since time immemorial.

Charles’ ch’inkw’u, a double-headed sea serpent, represents a unique and fascinating symbol in Coastal Salish culture. ch’inkw’u’s two heads symbolise the male and female, or our mothers and fathers who are our first protectors. ch’inkw’u is also a protector of the people and creatures who live on the lands and waters of the Sechelt people. The ch’inkw’u embodies the essence of duality and balance, signifying the harmony needed to maintain order in the natural world. It serves as a reminder of the perpetual dance between good and evil, light and dark.

The wild woman of the forest, depicted in this artwork, is a captivating and enigmatic figure. Cloaking her eyes behind her long hair, she exudes an aura of mystery, magnificence, and power. She is a revered ancient protector of the waters, lands, and the myriad of creatures that inhabit her territories. Few are fortunate enough to witness her true form, but those who do are deeply humbled by her majestic presence. She epitomizes fierceness and strength, standing as an embodiment of the profound connection between humanity and the natural world.

In Ancient ones, Charlie Craigan skillfully combines intricate details and symbols that reflect the rich cultural heritage of the Coastal Salish people. His artwork not only celebrates the artistic traditions of the past but also serves as a potent reminder of the importance of preserving and respecting the ancestral lands and waters that sustain us all.

If you are searching for a piece that encapsulates the profound spirituality and beauty of Coastal Salish culture, look no further than Ancient ones. It is a poignant testament to the enduring legacy and wisdom of the indigenous peoples who have called the shíshálh lands their home for countless generations.

You can support Charles’s creative work by purchasing his designs at his T-spring shop. This not only helps Charles continue his work but also contributes to the global economy through the providing work for printers, suppliers, and which benefits all of our communities. Get your favourite designs today and make a positive impact!

© Charles J. Craigan

Snipe Hunting

'Remember, the snipe call is this: "Woo loo loo, woo loo loo." '

Hank Hill (Cheryl Holliday - King of the Hill)

I am not sure when, or why Snipes became lumped in with Snarks and Questing Beasts of Old. However the truth is, mirth aside, I have been known to enjoy a good Snipe Hunt on occasions, albeit rather rare ones. Rare, not due to their being too few snipes but because they are not known to tolerate humans. The truth is that going on a Snipe Hunt is very often a fools errand particularly if you try to call them, they are very elusive birds. On this particular occasion, he was not aware of my presence when he arrived to feed near where I was waiting with my gear and I took care not to alert him to my presence. Their beautiful song is common and I have heard them often however this is one of the few times I have seen one and I feel very blessed to have been able to take these few photos. If you are yourself interested in hunting Snipe they tend to stick to marshes and bogs where they feed, but move gently and respectfully less they take offence to your presence and make haste to safer grounds.

© TS Ni hUiginn

Recording a Cell Tower

Ride along with Paul Clifford’s Jawshop Adventure Recordings. In this episode he revisits his local cell tower and implements his magic to extract his unique and amazing audio recordings.

If you are curious about what a bow pulled across a spring attached to a cell tower sounds like or are just interested in how the art of field recording and how sounds are captured then we invite you to visit the Jawshop and check out the audio treats.

Click on the Logo to Visit The Jawhop Adventure Recording Site