We invite you to check out this new music video ‘Travelin’ On’ composed and performed by Bob Hamm, vocals and guitar, accompanied by Paul Clifford, on drums.
This video was created at the Jawshop Adventure Recording Studios in Ontario, Canada. If you would like to check out more from the Jawshop Adventure Recording Youtube Channel by clicking the link below.
‘The raven once in snowy plumes was drest,
Ovid
White as the whitest dove’s unsullied breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl
His tongue, his prating tongue had changed him quite
To sooty blackness from the purest white.‘
People hold a long of different opinions about the Raven but whether you love or loathe this beautiful and intelligent creature may depend on your livelihood. Bards, poets and artists have long revered the Raven, it is often our muse, our master and our inspiration; whereas farmers have a far more dimmer view than we do and that is somewhat understandable. It did not escape my notice when once photographing a Raven that it was happily consuming a Rhode Island Red that it had acquired from a nearby newly established free range egg farm. They tell me that business is cut throat and predatory by nature and this fact also includes nature, or did in this case because the Raven’s got the spoils from that venture for sure.
‘It suits my own attitude toward the world and its people to believe that the Raven is this completely self-centered, uninvolved bringer of change, through inadvertence and accident, and so on… It’s a version of the Raven myth for today, not for the time when it was created.’
Bill reid
Charlie Craigan’s Raven painting, in traditional Salish Native style, is a trickster, playful and clever spiritual guide and his intimate relationship with humans is illustrated by the figure in Raven’s wing. Culturally, historically and presently the Raven has and will continue to be an important creature and symbol to people of all cultures globally. Like with this design they are commonly seen as spiritual messengers and protectors, and stories of Ravens and their relationship with people are as normal and natural as life itself it seems. It is easy to see why they are admired by us as we observe their beautiful blackness, unique intelligence, romantic natures, amazing flight capabilities as well as the incredible courage and daring they demonstrate.
‘In the battlefield men grapple each other and die;
Li Bai
The horses of the vanquished utter lamentable cries to heaven,
While ravens and kites peck at human entrails,
Carry them up in their flight, and hang them on the branches of dead trees.‘
They are associated with violence and death, of ill omen and fate and a flock of Raven’s is called a unkindness in the English language. Juvenile flocks of Ravens are very common and like most gangs of youth they can and do create havoc at times so this negative association may have some foundation. Ravens, like the Eagles and other creatures, survive by consuming carrion be it dead salmon by the spawning stream or dead warriors on the edge of a battlefield and it is this reality that unsettles us so much but is not evidence of Raven’s being evil in either scenario.
‘He that visits the sick in hopes of a legacy, but is never so friendly in all other cases, I look upon him as being no better than a raven that watches a weak sheep only to peck out its eyes.’
Seneca the Younger
It is however it is something found in the eye of the beholder, more than that of the creature itself that is behind their meanings and the stories. Or behind the human culture itself because it is unfortunate that many see the misery, war, illness and even death of other people as an opportunity to profit and nothing more. Those carrion consumers illustrate the darker and unpleasant side of the human reality that we are often discouraged to explore or if we do is often snubbed or ignored for lighter fair. For the truth is Raven, or what cultures and artists project onto them is reflective of who we are as individuals, communities and societies than it has anything to do with them. Ravens, you see, are competent and content doing their Raven thing and would be fine without our presences, but we are obsessed with them which is why they are always at the top of our favourite muses and subjects to explore. And how we respect or abuse them is a fairly accurate measure for how we treat the rest of the world as well.
‘I have created the Raven in my own image over the years and insist that mine is the version of this personality that is correct – well, at least it is correct as far as I am concerned.’
Bill reid
This version of Raven is one of Charles Craigan’s first paintings. Raven has a human figure in the wing signifying the spiritual connection between human, the inner child, the need to keep an open mind and a Raven that is universal and significant to many cultures. Charles’ Raven is a positive figure and this is meant to be worn or displayed in honour of that relationship by any or all people who also adore this beautiful creature.
Anyone who wishes to support Charles J Craigan by purchasing some of his art his designs are available at T Spring, the images link to his store.
We invite you to check out Paul Clifford and the Jawshop’s latest podcast as he starts out the new year with a brilliant interview with South African/Canadian Poet, Musician Croc E Moses.
These two seasoned musicians and composers take a deep dive into their experience recording and filming Moses’s song ‘Devious Honesty’ at the Jawshop Adventure Recording’s Main Studio. This tune was recorded at began in March of 2022 the elaborate on the lengthy technical polishing process that they undertook to obtain the final product. Moses also speaks about the lyrics and what motivated him or create this musical piece, which as a simple music fan I found quite interesting.
They begin to muse of the present global state we are all in and how it has inspired the song, through word deception from the media in impacting us all. And how word play and inversion of meanings are being used against people and culture in very unhealthy and unhelpful way. They touch on people who identify as cameras and where this leaves the artists or is it our destiny to go extinct and be replaced by those who identify as cameras. The delve into their personal experiences at the Trucker Convoy and how it differs completely from the media narrative which was dishonest and how that experience has effected this song and their work.
I won’t give it all away the podcast is there to be listened to but personally I like this conversation and this song because it touches on subjects that many of us are have on our minds. The struggle of the artist in this toxic political climate with the risk of being cancelled looming over your head and how you have to reflect on what and why we are artists and to think deeply about the grave times we are in. This struggle however is not limited to just artists, or truckers it includes most of the people in our communities and on our planet. And upon undertaking this self reflection it becomes clear, I hope, that money is not why we do what we do, that there is deeper and more loving communal motivations that compel us to create and share our work, to take care of each other and ourselves, to make sure the situation is good for us to be productive people who help our communities out. Because frankly, loving supportive communities that allow us to express ourselves are better for everyone and something many people have fought and even died for other to obtain and I think it would be truly shameful to throw that away for mere money or simple fame. If nothing more this conversation makes one feel a little less alone and lost in the bigger toxic political nightmare that dominates our lives.
If you want to check out more Croc just click this link to go to his site.
I am sharing a message created by an unknown person long ago that was on a window I spied on East Hastings, Vancouver BC.
Join recording artist Paul Clifford as he explores small vessels and unlocks their acoustic environments, from suitcases to metal tubes and drums, and give examples of how they sound.
There is a particular joy that rises in my breast when the clouds lift and reveal the magnificence and splendour of the mighty peaks that have recently been touched by winters brush.
Smugly sat on his lofty perch cheerfully scolding passerby’s.
shíshálh prayer by muswiya Robert Higgins with photographs of the Traditional Territories of the Salish People.
Enjoying the beauty of the forest where death supports life.
The University of East Hastings 